Characters Names Meanings in Harry Potter - Free Essay Example

Sample details Pages: 3 Words: 823 Downloads: 6 Date added: 2019/04/04 Category Literature Essay Level High school Tags: Harry Potter Essay Did you like this example? Harry Potter and the Prisoner of Azkaban, by J.K. Rowling uses a vast variety of words that are made up, but are secretly derived from Latin, Greek, Old English, and many other old languages to portray Rowlings genius writing. Although many of the names, spells, potions, and even places seem like casual made up words, nearly all of them have a hidden meaning behind them. Understanding the meaning behind these words give even more insight into the thought and detail that went into making this series so outstanding. A lot of the characters names in the books have a Latin origin. Rowling spent a lot of team researching names with Latin roots and finding their specific meanings. Then, Rowling implemented these names is some version into the series. For example, Albus Dumbledores first name is Latin for white. Many people take this as symbolic for the role Dumbledore plays, while others simply believe Rowling used this name because of Dumbledores long white beard. The main villain in the series, Tom Marvolo Riddle, aka Lord Voldemort, had part of his middle name derived from Latin. The Latin term volo means to want or to move quickly. This is representative of Voldemort as he had a desire for power and moved swiftly into the spotlight of being the most feared wizard. Draco Malfoys first name is Latin for dragon. This is symbolic of the level of power and strength Malfoy believed he possessed in the series. Remus Lupins last name is a version of the Latin word lupinus, which means of a wolf. This is symbolic as Lupin turns into a werewolf every month during a full moon. There are many more names in the series that are derived from Latin, all of which have meanings that give clues to the specific characters purpose or qualities. Don’t waste time! Our writers will create an original "Characters Names Meanings in Harry Potter" essay for you Create order Rowling, being a very gifted and trained writer and researcher, also used greek words and mythology as origins for her characters names. For example, Narcissus Malfoy, the mother of Draco Malfoy, had her name from Greek Origins. Narcissus was a male character from Greek mythology, who loved his image so much that he looked at his reflection until he died. This reflects the arrogant attitude the entire Malfoy family had throughout the series. Because of their pure blood genes, the Malfoys believed they were better than most and were keen to portraying it. Another example of Greek origins playing a role in the names of Rowlings characters would be Argus Filch. Filch is the caretaker at Hogwarts and is described as very strict and always keeping a close watch on the students of Hogwarts. His job likely has to do with the picking of his name as Argus was a ginormous hundred-eyed watchman in Greek mythology. Draco Malfoys best friend, Gregory Goyle, also had his name derived from Greek. S he chose the name Gregory based on a Greek word that means observant and attentive. This could be representative of the fact that Goyle basically plays the role of Draco Malfoys bodyguard throughout the series. Old and Middle English words were also a factor when Rowling was picking the names of her characters. One example of this would be with Godric Gryffindor. Godric is a version of the Old English name Godrich. In Old English, Godrich essentially meant good person. This can a nod at the fact that the characteristics Gryffindor wanted his students to possess were bravery, nerve, and daring. Rubeus Hagrid, everyones favorite character, also had part of his name derived from Old English. In Old English, Hagrid was a dialect word that basically meant you had a bad night. Considering Hagrid enjoyed drinking and did it a lot more than he probably should have, one can reasonably assume that he had a lot of bad nights. A final example would of course be the most important character in the series, Harry Potter himself. Rowling needed the perfect name as it is featured in every title and is a name that everyone around the world is familiar with. She ended up choosing the Middle English name, Harr y. The name Harry is derived from Henry. Henry was the name of many kings of England and it is no coincidence that Rowling gave her main character a name of such stature. Its fascinating to know the amount of research that went into simply picking the names of the characters. Rowling truly expressed her genius and advanced knowledge of older languages through her characters names alone. The ability of an author to provide history in all of the characters names while still writing one of the most popular book series of all time is incredible. It is extremely impressive that without even reading a single page, a reader could have a legitimate basis for all of the characters by simply looking at their names and doing a little research. Not many other book series, if any, could say the same.

The Viking Age An Invention Of The Romantic Era

The Scandinavian Vikings – in contemporary sources known as â€Å"Northmen,† â€Å"heathens,† or â€Å"foreigners† – are imagined as rough, wild and unkempt men in horned helmets, plundering, pillaging and raping in early medieval Europe (Somerville McDonald 2014; xv). However, this image of a wild, barbarian nation which is popular in modern fiction, TV-shows and movies, is far from true. The horned helmets are an invention of the Romantic era in the nineteenth century and the Vikings were more than raiders and were renowned merchants, seaman, explorers, mercenaries and poets (Somerville McDonald 2014; xv-xvi). The Viking Age is considered to have begun in the late eighth century, when the Scandinavian raids in Western Europe started (Somerville †¦show more content†¦This resulted in a period of unrest. In Anglo-Saxon England, the kingdom of Mercia rose to power when two kings of stabilized kingdoms were removed and one took the power: King Offa (Keynes in McKitterick 1995; 28). So we see stabilized kingdoms and the growing power of Mercia as the kings of Wessex and Kent were removed. In the Carolingian empire, there were definitely periods of political unrest; after the conflict between Louis the Pious and his sons for example (Middleton 2015; 151). However, this period of political weakness and unrest in the Carolingian empire was not contemporary with the earliest Viking raids. The first Viking raids started by the end of the eighth century, when Charlemagne ruled the Carolingian empire and when the king of Mercia ruled a stabilized kingdom in Anglo-Saxon England: ‘The earliest recorded Viking raids were paradoxically contemporary with the existence of strong hegemonic powers in both Anglo-Saxon England (Offa’s Mercia) and continental Europe (Charlemagne’s Fra nkish Empire), (Barret 2008; 678). 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The New Testament History, Literature, And Theology By...

M. Eugene Boring An Introduction to the New Testament: History, Literature, and Theology An Introduction to the New Testament: History, Literature, and Theology by M. Eugene Boring is a book which deals with an overview of the New Testament from a historical, literature and theological perspective. As stated by the author, this book does not attempt to work through every point in methodological detail, but from a case to case intends to provide enough specifics to illustrate evidence and argument (xxv). The author argues that the book is intended for the beginning student, presupposing only serious interest in the subject matter, but no prior experience in detailed Bible study (xxv). The author also argues that his work attempts to lead the student toward an in-depth understanding and competence as an interpreter of the New Testament (xxvi). As you read the book you will notice that this is exactly what the author accomplishes in the material he presented. Throughout the book the author provides a thorough understanding of the New Testament from a historical perspective as well as literature and theology. Personally, I really enjoy the brief introduction of each of the main points the author discussed in his book. This brief, but straight to the point material, provides the reader an easy-to-understand perspective of the New Testament. There is no doubt in the reader’s mind that the author is very familiar with the social, as well as the theological mindset of the New

Salome Monologue Essay Research Paper Example For Students

Salome Monologue Essay Research Paper A monologue from the play by Oscar Wilde NOTE: This monologue is reprinted from Representative One-Act Plays by British and Irish Authors. Ed. Barrett H. Clark. Boston: Little, Brown, and Co., 1921. SALOME: I am amorous of thy body, Iokanaan! Thy body is white, like the lilies of the field that the mower hath never mowed. Thy body is white like the snows that lie on the mountains of Judaea, and come down into the valleys. The roses in the gardens of the Queen of Arabia are not so white as thy body. Neither the roses in the garden of the Queen of Arabia, the garden of spices of the Queen of Arabia, nor the feet of the dawn when they light on the leaves, nor the breast of the moon when she lies on the breast of the sea. There is nothing in this world so white as they body. Suffer me to touch thy body. Thy body is hideous. It is like the body of a leper. It is like a plastered wall, where vipers have crawled; like a plastered wall where the scorpions have made their nest. It is like a whited sepulchre, full of loathsome things. It is horrible; thy body is horrible. It is of thy hair I am enamoured, Iokanaan. Thy hair is like clusters of grapes, like the clusters of black grapes th at hang from the vine-trees of Edom in the land of the Edomites. Thy hair is like the cedars of Lebanon, like the great cedars of Lebanon that give their shade to the lions and to the robbers who would hide them by day. The long black nights, when the moon hides her face, when the stars are afraid, are not so black as thy hair. The silence that dwells in the forest is not so black. There is nothing in the world that is so black as thy hair. Suffer me to touch thy hair. Thy hair is horrible. It is covered with mire and dust. It is like a crown of thorns placed on thy head. It is like a knot of serpents coiled round thy neck. I love not thy hair. It is thy mouth that I desire, Iokanaan. Thy mouth is like a band of scarlet on a tower of ivory. It is like a pomegranate cut in twain with a knife of ivory. The pomegranate flowers that blossom in the gardens of Tyre, and are redder than roses, are not so red. The red blasts of trumpets that herald the approach of kings, and make afraid the enemy, are not so red. Thy mouth is redder than the feet of those who tread the wine in the wine-press. It is redder than the feet of the doves who inhabit the temples and are fed by the priests. It is redder than the feet of him who cometh from a forest where he hath slain a lion, and seen gilded tigers. Thy mouth is like a branch of coral that fishers have found in the twilight of the sea, the coral that they keep for the kings! It is like the vermilion that the Moabites find in the mines of Moab, the vermilion that the kings take from them. It is like the bow of the King of the Persians, that is tainted with vermilion, and is tipped with coral. There is nothing in the world so red as thy mouth. Suffer me to kiss thy mouth. I will kiss thy mouth, Iokanaan. I will kiss thy mouth.